First Founder :
Buddhist
Priest BODHIDHARMA
There are few historical entities that engender as much debate, confusion,
and acrimony as
the nature and reality of Shaolin. We have heard
distinguished university professors categorically
deny the existence of
either Shaolin or its problem-children Tongs ; that only authenticated
accounts
by the Communist Chinese government are to be trusted ; or that
the
temples are fictitious, based on
stories in old novels. To the latter (most
common) observation we reply that Americans have similarly been deceived
about the reality of an historical event they call the Civil War, which is
actually
a fictitious event taken from a novel called
" Gone With The Wind.
"
The following accounts are taken from sources who :
1) practiced the specific styles to Master level from the "
supposed " temples,
2) learned their arts AT those temples before the temples were
destroyed, or
3) were taught by practitioners from those temples. Also, our
sources were corroborated
by at least three individuals ( standard rule of evidence
accepted by most professional
journalists ).
The
masters, however, have declined to be named for the reasons that :
1) They do not want to engage in controversy--the information is here
to accept or reject
as you like ( as directed by the last lesson of the Buddha )
2) They have assumed new names after leaving China because, as
refugees, did not
want their families to suffer for their actions. Having said
that, and agreeing in advance
to protect the confidentiality of our sources, we have been told
that...
The Shaolin order dates to about 540 A.D., when an Indian Buddhist
priest named Bodhidharma
( Tamo in Chinese ), traveled to China to see
the Emperor. At that time, the Emperor had started local Buddhist
monks translating Buddhist texts from Sanskrit to Chinese. The intent
was to allow the general populace the ability to practice this religion.
This was a noble project, but when the Emperor believed this
to be his path to Nirvana, Tamo disagreed. Tamo's view on Buddhism
was that you could not achieve your goal just through good actions performed
by others in your name.
At this point the Emperor and Tamo parted ways and
Tamo traveled to the nearby Buddhist temple to meet with the monks who were
translating these Buddhist texts.
The temple had been built years before in the remains of a forest that had
been cleared or burned down.
At the time of the building of the temple, the
emperor's gardeners had also planted new trees. Thus the temple was named "
young (or new) forest ", ( Shaolin in Mandarin, Sil Lum in Cantonese).
When Tamo arrived at the temple, he was refused admittance, probably being
thought of as an upstart or foreign meddler by the head abbot (Fang Chang).
Rejected by the monks, Tamo went to
a nearby cave and meditated until the
monks recognized his religious prowess and admitted him. Legend has it that
he bored a hole through one side of the cave with his constant gaze; in
fact,
the accomplishment that earned his recognition is lost to history.
When Tamo joined the monks, he observed that they were not in good physical
condition. Most of their routine paralleled that of the Irish monks of the
Middle Ages, who spent hours each day hunched over tables where they
transcribed handwritten texts. Consequently, the Shaolin monks lacked the
physical and mental stamina needed to perform even the most basic of
Buddhist meditation practices. Tamo countered this weakness by teaching them moving exercises, designed to both enhance ch'i flow and build strength.
These sets, modified from Indian yogas ( mainly hatha, and raja ) were
based
on the movements of the 18 main animals in Indo-Chinese iconography e.g.,
tiger, deer, leopard, cobra, snake, dragon, etc. ), were the beginnings of
Shaolin Gung Fu.
It is hard to say just when the exercises became " martial arts ".
The Shaolin temple was in
a secluded area where bandits would have traveled
and wild animals were an occasional problem, so
the martial side of the
temple probably started out to fulfill self-defense needs. After a while,
these
movements were codified into a system of self-defense.
As time went on, this Buddhist sect became more and more distinct
because of the martial arts being studied. This is not to say that Tamo
"invented" martial arts. Martial arts had existed in China for centuries.
But within confines of the temple, it was possible to develop and codify
these martial arts into the new
and different styles that would become
distinctly Shaolin. One of the problems faced by many western
historians is
the supposed contraindication of Buddhist principles of non-violence coupled
withShaolin's
legendary martial skills.
In fact, the Shaolin practitioner
is never an attacker, nor does he or she
dispatch the most devastating
defenses in any situation. Rather, the study of Gung fu leads to better
understanding of violence, and consequently how to avoid conflict.
Failing
that, a Buddhist who refuses to accept an offering of violence ( i.e., and
attack ) merely
returns it to the sender. Initially, the gung fu expert may
choose to parry an attack, but if an assailant
is both skilled and
determined to cause harm, a more definitive and concluding solution may be
required, from a joint-lock hold to a knockout, to death. The more
sophisticated and violent an assault,
the more devastating the return of the
attack to the attacker. Buddhists are not, therefore, hurting
anyone; they
merely refuse delivery of intended harm.
The Shaolin philosophy is one that started from Buddhism and later
adopted many Taoist
principles to become a new sect. Thus even though a
temple may have been Taoist or Buddhist at first,
once it became Shaolin, it
was a member of a new order, an amalgamation of the prevailing Chinese
philosophies of the time.
Other temples sprung from Honan. This happened because the
original temple would suffer
repeated attacks and periods of inactivity as
the reigning Imperial and regional leaders feared the
martial powers of the
not-always unaligned monks. Refugee Shaolin practitioners would leave the
temple to teach privately ( in Pai ) or at other Buddhist or Taoist temples.
In rare cases, a new Shaolin
Temple would be erected ( Fukien, Kwangtung )
or converted from a pre-existing temple ( Wu-Tang,
O Mei Shan ). Politically
and militarily involved monks ( such as the legendary White Eyebrow and
Hung
Tze Kwan ) would be perpetual sources of trouble for the generally
temporally aloof monks.
The Boxer rebellion in 1901 was the beginning of the end of the
Shaolin temples. Prior to that,
China had been occupied by Western and
Japanese governments and business interests. The British
had turned the
Imperial family into an impotent puppet regime largely through the import
and sales of
opium and the general drug-devastation inflicted upon the poor
population. This lead to the incursion of
other European powers, including
Russia, France and Holland, and later the Japanese and Americans.
By the
late 1800s, China was effectively divided into national zones, each
controlled by one of
the outside powers ( similar to post World War II
Berlin, on a hugely larger scale ).
The long standing animosities between
China and Japan worsened, and extended to include all
other " foreign devils
" as well. Coupled with the now almost universal disdain by the Chinese for
their
Empress, a Nationalist movement with nation-wide grass-roots support
was born. Among the front line
soldiers of the new " order " were the
legendary and near-legendary martial artists--many Shaolin--
known as Boxers
( remember how Bruce Lee, in his films depicting these times, refers to
himself as a
Chinese boxer... ).
Though their initial assaults on the
military powers of the occupation governments were not
entirely successful (
many believed in Taoist magical spells that would make them impervious
to
gunfire ), their temporary defeat would lead to a more modern
reformation that included adopting
modern military weapons and tactics.
The withdrawal of western forces was prolonged over many years,
and by the end of World War
I saw China in an almost feudal state of civil
war. Not only were national troops fighting loyalists, but both sides had to
fight the Japanese ( who still held much of the northern Manchurian region
of China )
as well as many powerful, regional warlords.
Many parts of China
were virtually anarchies, but by
1931 almost all non-Asian occupants had
been successfully driven out ( with the interesting exception,
in the late
1930s, of the volunteer American airmen known as The Flying Tigers, who
helped repel
Japanese forces prior to World War II ), and the major
combatants within China were the Nationalists
and the Communists.
Both sides
displayed the typical jingoistic attitudes of forces in mindless warfare--if
you aren't
with us, you are against us. Neutrality meant nothing except the
possibility of a later enemy. Consequently, Shaolin and other monks were
routinely murdered by soldiers from both sides.
One result of this program
of murder was the exodus of many monks into the hills, or abroad, with
the hope that Shaolin knowledge might survive even if the temples
themselves did not.
The temples were unfortunate victims of war in a land that had
abandoned its historical practice
of respecting posterity and ancestors.
All were ransacked and looted by various armed groups.
O Mei Shan
Temple ( " Great White Mountain " ),
in Szechuan Province, was situated on a
mountain
top and deemed by Chinese officers to be a fitting target for
artillery practice.
It was shelled in turn by
Nationalist and Communist
armies. In a fitting twist of fate, this one-time site of medical and
natural
history knowledge was rebuilt by the Communists in the mid 1970s,
and now stands as the National
Park and Research Headquarters for the panda
preserve.
There are various stories coming out of China today
referring to the history of Shaolin,
particularly over the past 300 years.
However, many of these stories are suspect ( compare Chinese
accounts of Tiananmen Square with CNN news coverage ), with the more commonly
"authenticated " versions coming from government records.
The fact that
Chinese authorities outlawed Shaolin and martial arts practices makes any
story
about their history from such sources suspect. The prevalent wu-shu
styles originated as a result of
a compromise between the post-World War II
governments and the national need and history of having
a martial arts
tradition.
Wu-Shu, however, was not designed as a martial art (strictly
illegal), and claims to the contrary date
back only a decade or so,
following on the popularity of Kung Fu. We have started a timeline of
Shaolin History.

From "
Shaolin Gung Fu Institute. " ©2000
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